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The "Pythagorean Comma" Explanation by Dr. Jody Nagel |
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There is found to be a small intervallic difference when determining (A) a pitch seven octaves higher than a given starting pitch, or (B) a pitch twelve perfect fifths higher than the same given starting pitch, when respectively using the pure 2:1 ratio for finding octaves and when using the pure 3:2 ratio for finding perfect fifths. This generally seems "weird" to the beginner used to playing an equal-tempered piano, where "seven octaves higher" or "twelve perfect fifths higher" (than some given starting pitch) produces the exact same result: a pitch that is 84 equal-tempered semitones higher than the given starting pitch. Here is the math that explains this phenomenon, which was first explored by the school of Pythagorus in ancient Greece. |
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7 perfect octaves (84 semitones) (8ve = 12 semitones) |
12 perfect fifths (84 semitones) (5th = 7 semitones) |
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In equal temperament, 7 x 12 = 12 x 7, however . . . |
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7 perfect octaves (8ve = 2:1 frequency ratio) |
12 perfect fifths (5th = 3:2 frequency ratio) |
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If the fundamental frequency is 100 Hz, then: |
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| (in Hertz) | (in Hertz) | |||
| 0. | 100 | 0. | 100. | |
| 1. | 200 | 1. | 150. | |
| 2. | 400 | 2. | 225. | |
| 3. | 800 | 3. | 337.5 | |
| 4. | 1600 | 4. | 506.25 | |
| 5. | 3200 | 5. | 759.375 | |
| 6. | 6400 | 6. | 1139.0625 | |
| 7. | 12800 | 7. | 1708.59375 | |
| 8. | 2562.890625 | |||
| 9. | 3844.3359375 | |||
| 10. | 5766.50390625 | |||
| 11. | 8649.755859375 | |||
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12. |
12974.6337890625 |
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The difference between 12800 and 12974.6337890625 is 174.6337890625. |
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| Copyright © 2003 by Jody Nagel. All rights reserved. |
Call 1-765-759-1013 or
Email for additional information. |
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