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V. Fully-Diminished-7th --- Minor Triad Relationships
The Three Classes of "Resolution" of a Diminished-7th-Chord Progressing to a Minor Triad
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Harmonic Relationships, Example 5 Closest "tonal" voice-leading, using only common-tones, semitones, or whole-tones (The specified voice-leading-type is shown in black note-heads.) When resolving to a minor triad, Type-1 °7 has no common-tones, Type-2 °7 has two common-tones, and Type-3 °7 has one common-tone. |
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